PARK Young-soo has been working at Mofac since 2004, closely collaborating with its owner and founder JANG Sung-ho. Majoring in computer engineering, he began his career at the animation studio, Cinepix. Afterwards PARK was introduced to JANG, and began to work as the 2D supervisor of Director SONG Hae-sung’s <Rikidozan: a Hero Extraordinary> (2004). Instead of dividing roles with JANG, PARK had developed his career as a VFX supervisor with him. Particularly,, LEE My...More

PARK Young-soo has been working at Mofac since 2004, closely collaborating with its owner and founder JANG Sung-ho. Majoring in computer engineering, he began his career at the animation studio, Cinepix. Afterwards PARK was introduced to JANG, and began to work as the 2D supervisor of Director SONG Hae-sung’s <Rikidozan: a Hero Extraordinary> (2004). Instead of dividing roles with JANG, PARK had developed his career as a VFX supervisor with him. Particularly,, LEE Myung-se’s mind-blowing martial arts film <The Duelist> (2005) was a turning point for PARK, as he could learn the magic of cinema from the director’s detailed visual plans for the film. After serving as the VFX supervisor for <Old Miss Diary> (2006) and <The Old Garden> (2006), PARK also worked for the challenging film <Haeundae> (2009) directed by JK YOON. As water simulation technology was not matured in the Korean VFX industry, both PARK and JANG had to spend painful but fruitful time for the film. The sci-fi adventure <Sector 7> (2011) was also another challenge for PARK, who took the responsibility as the VFX supervisor. As the film had a monster as one of the main characters, PARK plunged into new adventures in creating the digital creature in a limited situation. The film was released in China despite of its domestic failure, which led Mofac to win a contract for Tsui Hark’s <Young Detective Dee: Rise of the Sea Dragon> (2013) for its digital creature. Recently, he worked on <Cart> (2014) and <Roaring Currents> (2014), as the senior VFX supervisor at Mofac. Less