Home
See Your Schedule
Ko - production in Busan
Company
MACROGRAPH
- TEL : +82-2-2142-7206
- FAX : +82-2-2142-7299
- E-MAIL : info@macrograph.co.kr
- WEBSITE : www.macrograph.co.kr
- Address : BYC Highcity #C-7,9,11F,
Gasan digital 1-ro, Geumcheon-gu, Seoul,08506 - Business Field(production, VFX/CG, animation, etc) :
VFX/CG, VR
Company introduction
Macrograph is greatly unique in its kind with its zeal to produce video contents that are sculpted through VFX (Visual Effects), which requires the utilization of its main skill, CG.
Macrograph was initially derived from the Korean Electronics and Telecommunications Research Institute’s Digital Actor Team and began its successful journey as the Research Facilitation of ETRI in April 2007. Upon its establishment, Macrograph immediately received its first project, which entailed its substantial involvement in the Hollywood film ‘The Forbidden Kingdom’, and was the first in Asia that had made such accomplishment.
Macrograph boasts unparalleled technological development skills that require escalated levels of CG technicalities, which include but are not limited to the creation and edition of digital actors, digital creatures, and fluid simulations. Also, it focuses on the enhancement of In-House Tools and pursues its ultimate goal to receive massive projects from different nations beyond the Korean border and the Asian continent.
In addition to all that Macrograph strives for, it has received excellent remarks, such as being recognized as Asia’s No. 1 CG/ VFX Corporation, substantiating its excellent performances in numerous films of Korea and other nations, including “Journey to the West: Conquering Demons”, “The Monkey King 3D”, “The Roaring Currents”, “Mermaid”, and "The Bombing"
Macrograph remains restless, as it continues to maximize its potential in VFX of the filming industry and endeavors to set the bars high in highly anticipated fields, such as games, 3D figures, virtual reality, augmented reality, holograms, digital signage, and many more.
Macrograph was initially derived from the Korean Electronics and Telecommunications Research Institute’s Digital Actor Team and began its successful journey as the Research Facilitation of ETRI in April 2007. Upon its establishment, Macrograph immediately received its first project, which entailed its substantial involvement in the Hollywood film ‘The Forbidden Kingdom’, and was the first in Asia that had made such accomplishment.
Macrograph boasts unparalleled technological development skills that require escalated levels of CG technicalities, which include but are not limited to the creation and edition of digital actors, digital creatures, and fluid simulations. Also, it focuses on the enhancement of In-House Tools and pursues its ultimate goal to receive massive projects from different nations beyond the Korean border and the Asian continent.
In addition to all that Macrograph strives for, it has received excellent remarks, such as being recognized as Asia’s No. 1 CG/ VFX Corporation, substantiating its excellent performances in numerous films of Korea and other nations, including “Journey to the West: Conquering Demons”, “The Monkey King 3D”, “The Roaring Currents”, “Mermaid”, and "The Bombing"
Macrograph remains restless, as it continues to maximize its potential in VFX of the filming industry and endeavors to set the bars high in highly anticipated fields, such as games, 3D figures, virtual reality, augmented reality, holograms, digital signage, and many more.
Filmograpy
| Project | Genre | Country | Production year | Director | Production/Delvelopment content |
|---|---|---|---|---|---|
| Hanson and the Beast | Film | China | 2017 | Xiao Yang | VFX |
| Operation Red Sea | Film | China | 2017 | Dante Lam | VFX |
| The Village of no Retun | Film | China | 2017 | Yu-Hsun Chen | VFX |
| The Invincible Dragon | Film | China | 2017 | Fruit Chan | VFX |
| Europe Raiders | Film | China | 2017 | Jingle Ma | VFX |
| The Three-Body Problem | Film | China | 2017 | Fanfan Zhang | VFX |
| Wukong | Film | China | 2017 | Derek Kwok | VFX |
| The One | Film | China | 2017 | Zhengyu Lu | VFX |
| The Chinese Widow | Film | China | 2017 | Bille AugustO | VFX |
| The Mayor | Film | Korea | 2017 | Park In-je | VFX |
| Vanishing Time: A Boy Who Returned | Film | Korea | 2016 | Uhm Tae-hwa | VFX |
| Operation Mekong | Film | China | 2016 | Dante Lam | VFX |
| Clocking Out | Web Drama | Korea | 2016 | Kim Geon | VFX |
| Three Kingdom Wars - Imjin War 1592 | Drama | Korea | 2016 | Kim Han-sol, Park Seong-joo | VFX |
| The Bombing | Film | China | 2016 | Xiao Feng | VFX |
| Bounty Hunter | Film | China | 2015 | Stephen Chow | VFX |
| Mermaid | Film | China | 2014 | Shin Taera | VFX |
| Baahubali: The Beginning | Film | India | 2015 | S.S. Rajamouli | VFX |
| The Phantom Detective | Film | Korea | 2015 | Jo Sunghee | VFX |
| Go Away, Mr. Tumour | Film | China | 2015 | Han Yan | VFX |
| The Third Way of Love | Film | China | 2015 | Lee Jaehan | VFX |
| Northern Limit Line | Film | Korea | 2015 | Kim Haksun | VFX |
| Zhongkui - Snow Girl and the Dark Crystal 3D | Film | China | 2014 | Tianyu Zhao, Peter Pau | VFX |
| The MyungRyang (Roaring Currents) | Film | South Korea | 2014 | KIM Han-min | VFX |
| The Huntresses | Film | South Korea | 2013 | PARK Jae-hyun | VFX |
| The Monkey King 3D | Film | China | 2013 | Cheang Pou-soi | VFX |
| The Terror Live | Film | South Korea | 2013 | KIM Byung-wo | VFX |
| Horror stories 2 | Film | South Korea | 2013 | KIM Sung-ho | VFX |
| Journey to the west | Film | China, Hong Kong | 2013 | Stephen Chow | VFX |
| R2B: Return To Base | Film | South Korea | 2012 | KIM Dong-won | VFX |
| Starship Troopers | Animation | Japan | 2012 | Aramaki Shinji | VFX |
| A Chinese Ghost Story | Film | China | 2011 | Wilson Yip | VFX |
| Cold Steel | Film | China | 2011 | Wu Dawei | VFX |
| KoreanoSaurus 2 | Animation | South Korea | 2011 | HAHN Sang-ho | VFX |
| Bolts & Blip | Animation | Canada, South Korea | 2009 | Peter Lepeniotis | Full CG |
| The Forbidden Kingdom | Film | USA | 2008 | Rob MinKoff | VFX |
| Project M | Game Cinematics | USA | 2008 | Marvel Comics | Full CG |
| Restless | Film | South Korea | 2006 | JO Dong-o | VFX |
| Hanbando | Film | South Korea | 2006 | KANG Woo-suk | VFX |
Participants
- LEE EUN JUNG(Manager of Strategic Planning Dept.) :
(+82) 10 4179 5280 , eunnamu28@macrograph.co.kr - Zhang Wenjia(Manager of Strategic Planning Dept.) :
(+82) 10 5507 5170 , wenjia0715@macrograph.co.kr - Stephen Hwang(Strategic Planning Dept.) :(+82) 10 4822 6881 , s2hwang90@macrograph.co.kr
- Lu Jinge (Strategic Planning Dept.) : (+82) 10 9250 8910 , jinge@macrograph.co.kr
