KONG Mi-yeon joined the Seoul Visual Collective in 1997 and got her start by assistant on various non-fiction films. Starting in 2000, she working on numerous films as a camerawoman, including < <Doomealee, The Very First Step> (2000), <Rip It Up!> (2001), <The Green Tracks> (2001), <The Border City> (2002), <Mad Minutes> (2003), and <Silent Forest> (2004).

In 2007, she debuted as a director in her own right with the documenta...More

KONG Mi-yeon joined the Seoul Visual Collective in 1997 and got her start by assistant on various non-fiction films. Starting in 2000, she working on numerous films as a camerawoman, including < <Doomealee, The Very First Step> (2000), <Rip It Up!> (2001), <The Green Tracks> (2001), <The Border City> (2002), <Mad Minutes> (2003), and <Silent Forest> (2004).

In 2007, she debuted as a director in her own right with the documentary <Battlefield Calling>. The film, which chronicles the return of soldiers from Iraq and the fate of people in Palestine, picked up the Audience Award at the Seoul Independent Film Festival. She wielded the camera again for <The Border City 2> in 2009 before embarking on her own short form subjects <Si> (2010), <Bottoms Up!> (2010), <20 Years> (2011). She came back with a feature in 2015 when she made <Bicycle, City>, which debuted at the DMZ International Documentary Film Festival. Less